How To Change Sequence Settings In After Effects

How to work back and forth between Later on Effects and Premiere.

We recently posted a mind blowing trick showing you how to copy and paste from Premiere Pro to Subsequently Effects. Though that may be convenient for finding footage or quickly moving effects between programs, information technology does take a wild west air of chaos about it.

Not unsurprisingly, Adobe has a couple of other powerful methods for integrating After Furnishings comps into Premiere Pro sequences that use a little more precision.

First, allow'south ask ourselves why we'd even be in Premiere Pro in the commencement place… There are many reasons why as a motility designer you should be working in Premiere Pro. Perchance you're crafting sound design, making revisions to a delivery, cut a reel, color correcting, or you're just a one-stop-shop for all of your client's video work. Because of these reasons, our friends at Adobe idea of some friendlier ways to movement between the two programs without the need to constantly render.

How to Import Later on Furnishings Comps to Premiere

After creating a comp in After Effects (and saving the project), open up Premiere Pro and head to the project panel. Correct click and select Import. And so simply discover the After Effects project with your desired comp, select it, and click open. A new window will pop up and y'all'll immediately discover Adobe's dynamic link server firing up.

After Adobe's magic settles down (a few cursory seconds or short minutes depending on the complexity of your AE project) the window will populate with your AE projection'south contents. If you lot follow a good organization scheme, finding your comp is as easy as twirling open up the comps bin.

Import After Furnishings comp into Premiere Pro

Select your comp and click OK. Boom. Your comp is imported. It will have the aforementioned proper noun every bit your AE comp with a forrard slash followed by the name of the AE project information technology came from. It'll operate like whatsoever other blazon of footage you may have in your Premiere project. You can throw it into the source monitor, mark in/out points, and drop information technology in a sequence, with or without sound.

The astonishing thing is that when you at present go dorsum into Afterwards Effects and make a change, that alter is reflected in Premiere without rendering! This includes making the comp longer or shorter. You'll need to salvage your AE project after making any changes though.

Supplant Premiere Footage with Afterward Furnishings Comp

Now let's assume that you're snowballs deep into editing a project and demand to add a graphic or practise some compositing on a specific clip or clips. Premiere makes this pretty easy by letting you right click the prune or clips y'all're interested in and selecting Supercede with After Furnishings Composition.

Supplant with After Effects Comp

Immediately you'll notice what you had selected turns salmon (the colour, not the fish) and (if it's non already open) After Effects opens, prompting y'all to save a new project. If an AE project is already open, the clips will be added to a new composition in that projection. The composition that appears in AE matches the same settings every bit the sequence information technology came from. The clip or clips as well have the aforementioned backdrop equally they did in Premiere, including scale/position/rotation/opacity and potentially effects and masks (if they're compatible across programs).

The same rules from importing the comp into Premiere yet applies. Y'all can update in After Effects and those changes will be reflected in Premiere. You'll notice though that the comp'southward proper name is less than ideal – something like "YourSequenceName Linked Comp 01". If you only have one or ii of these linked comps in your projection, that's easy to manage, but if you have dozens of these comps in a project, things can go a petty hairy.

Luckily you lot can rename the comp in Subsequently Effects and the dynamic link nonetheless stays intact! Unfortunately the name change does not update into Premiere, but you can manually change that likewise by correct clicking the prune and selecting rename.

A QUICK Notation…

If your comp is overly complex, it still may be best to render. I've besides plant that ram previewing in After Furnishings first helps playback in Premiere.

Importing Premiere Sequences in After Furnishings

It Works Backwards Too?!

It's like reading correct to left. There are times where yous'd like to pull in your entire sequence from Premiere into Afterwards Effects and information technology will behave differently depending on how we import.

If yous want to have a Premiere sequence act like a single piece of footage, simply right click in the AE project console, select Import > File…, and click on the Premiere project that has your desired sequence. A familiar looking window with Adobe's dynamic link volition appear letting you lot choice all or one of the sequences from the projection. Click OK and the sequence will be added to your project panel. If yous double click on information technology you'll notice that it opens in the footage panel, non the timeline, this allows you to treat the sequence as if it were a single video file.

Import Premiere sequence as footage

Alternatively you tin can pull the sequence in with all of its edited celebrity still intact, by right clicking in the AE projection panel and select Import > Adobe Premiere Pro Project. Select your project and a small-scale window volition appear letting you decided which sequence to import or to bring in all the project'southward sequences. Click OK and you'll see a new comp in your Afterward Effects project containing all the little $.25 and pieces from your Premiere sequence.

Import Premiere sequence as an After Furnishings comp

Importing AAF and XML Footage

Alarm:  Advanced Stuff Ahead!

Are you set to get real crazy? No? You but edit on a different NLE than Premiere? Adobe notwithstanding has you covered – to a indicate.

This last method works well plenty to motion sequences from other NLEs like Avid or FCPX into Afterward Effects. It's also used to motility sequences between NLEs. I won't go as well in depth here other than to prove you that it is possible. Your mileage with this technique will vary depending on your workflow and programs used.

Within most modern NLEs, there is an option to consign either an XML or AAF of a sequence. These are small documents containing thousands of lines of text that tell programs how to treat a sequence of video clips. Think of information technology every bit your edit in code form.

Ignorance is bliss

AAFs tend agree more than information, but can exist trickier to brand piece of work. XMLs tend to work improve across platforms, simply conduct less information. Both are imported into Later Furnishings in the aforementioned fashion. To import a sequence with this data correct click in the project window and select Import > Pro Import After Effects. Select the XML/AAF and click Import. Depending on your setup, complication of your sequence, and translation document used (XML or AAF), some things may or may not translate to AE. Wait your clips to come across and anything else that besides translates is just bonus. Note that whatsoever changes will not dynamically update and you should check your import for possible errors.

Source: https://www.schoolofmotion.com/blog/after-effects-to-premiere-workflows

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